Big news! Dark Horse and I just put the finishing touches on my next original graphic novel, The New Deal, coming this October.
It’s available for preorder through your local comic shop and wherever books are sold (you’ll find a big list of options on the Penguin/Random House page). Shop owners, let me tell you: Dark Horse did an amazing job on making this a beautiful object for your shelf of choice. As a creator, I couldn’t be happier, or feel better supported by my publisher (thanks, team!).
Here’s our scoop on the book:
The Waldorf Astoria is the classiest hotel along the Manhattan skyline in 1930s New York City. When a charming woman named Nina checks in with a high-society entourage, young Frank, a bellhop, and Theresa, a maid, get caught up in a series of mysterious thefts. The stakes quickly grow perilous, and the pair must rely on each other to discover the truth while navigating delicate class politics.
Eisner Award-winning artist Jonathan Case (Green River Killer, Dear Creature) writes and draws this brilliant graphic novel of petty crime, comic predicaments, and vast heart in a story that speaks to class, race, and gender barriers.
To me, the ’30s is one of the most fascinating periods in American history, with its industry and poverty, arts movements, social reforms, and on and on. In The New Deal, that history serves as a rich backdrop to what I hope is just a fast, energetic read: Unlikely friends, high jinks, danger. The stuff of comics.
Over at Publishers Weekly, I go into more detail about making the book, including many images of fancy hats, so check that out if you’re curious. It was the love child of traditional and digital methods, drawn from (I hope) the best of both gene pools. Ew? Maybe not the best analogy, but what am I, a writer?
Moreso now than in recent years, which makes me happy. This is my first solo written/drawn book since 2011’s Dear Creature. Too long. Like any job you do as well as you can, writing and art brings at least as many hard days as fun ones, but the fun ones have a special magic. Making books and raising kids might be the only experiences in my life where just a handful of highs can supersede the miles and miles of thankless trudging/feelings of I want to leave you in the rolling hills and just drive away.
So there you have it: Late September for comics shops, early October for bookstores, and debuting at Rose City Comic Con in my own Portland, Oregon. The cover says ages 14 plus, but for those mature middle-schoolers out there, you know who you are. Or at least, you have some idea, and your parents think they know who you are.