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Readying to Launch Our Adventure

Let’s adventure together.

Get out on the road, into the woods, under the waterfalls. Hang in hammocks, cook over fires, draw and paint. Try to stay patient even after hours in the car with all time-passing games exhausted. Find many, many weird bugs.

This is my family’s dream for fall. On Saturday, the Cases head out with a little travel trailer for a five week road adventure/book research trip/book promotion extravaganza.
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Characters and Plot

Meet our three-headed team:

  • Jonathan (the dad), driver of rigs, book-maker, eater of plants.
  • Sarah (the mom), master schemer, keeper of peace, dancer of swing.
  • Dorothy (the preschooler), hiker of hills, candy-consumer, absurdist.

…And our three-pronged plan:

  • Meander through fascinating outdoor places and ultimately reach the overwintering sites of the migrating monarch butterflies in California. Make and take pictures, jot coordinates, gather field data for my next graphic novel: The Guidebook — A kid-friendly, outdoorsy-future-earth-adventure which follows the monarch’s migration from the Northwest states down to the bugs’ forested sanctuaries in Monterey, Marin, Santa Cruz, and surrounding counties. I’ll finish my rough draft of The Guidebook while we’re on the road (mostly from my hammock-office, pictured below).
  • Promote the new hardcover release of Dear Creature with bookstore and school stops along the way – do sketches for kids (and grownups, I guess), talk about graphic novels, share of our adventures. See the sidebar for our evolving tour schedule.
  • Blog it all so someone will know where to find us if we get lost in the woods.
Adventure

My Mobile Art Studio

 

We’ll take this wild ride in a 1998 Lexus LX470: also known as the fancy-person’s Land Cruiser. I selected this vehicle for its reputation to not break, pull stuff, and go where others fear to tread. Example:

These things are scarce like Donald Trump at Hip Hop Fest Northwest. Still, I managed to wrest one from a local used car dealership (shudder). It guzzles gas but it’ll probably outlive me. Maybe one day they’ll make a retro-fit Tesla battery pack to shove this truck’s 5,500 lbs across the land. As long as I’m dreaming.

Right now we’re battening down the hatches at home and doing our best to maintain focus as launch day nears. We’re really excited to share more on our adventure. I’ll try to post updates with every place we visit, taking the 2/2/2 approach to the RV life: Never drive more than 2 hours, never stay less than 2 nights, and always arrive by 2 in the afternoon. I haven’t tried such a relaxed pace to travel before, but I hope it avails us plenty of time to explore, create, and make waffles over campfires (you have to try them):

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For now, on to packing! More soon. It’s time to explore the earth.

My San Diego Comic Con Schedule

 

 

 

 


San Diego Comic Con has seen fit to ship me down (crated?) as a special guest. This means I’m paneling and signing and tabling and meeting and schmoozing for many hours, starting Thursday, July 21st.

Special attention to be directed to my Saturday spotlight panel where I tell everything the young me wanted to know when I first embarked upon making books that humans read. Things like, “How can I get people to read my books,” and “Why won’t that editor look at me with affection?”


Here’s the full scoop on where you can find me:

Thursday, 11-12 PM. Room: 5AB
Celebrate the Publishing World of Jim Henson’s Labyrinth with Archaia: To celebrate the 30th anniversary of Jim Henson’s Labyrinth, publisher Archaia (an imprint of BOOM! Studios) has several books set to come out this year! Join BOOM! Studios Senior Editor Sierra Hahn and artists Eric Powell (The Goon, Big Man Plans), Joëlle Jones (Spider-Woman, Lady Killer), and Jonathan Case (The New Deal, Batman ’66) as they give fans a sneak peek into these titles, which include original comics, a children’s storybook, and an artists’ tribute collection. Moderated by Nerdist Editor-in-Chief Rachel Heine.
Friday, 1-2 PM. Dark Horse Booth Signing
Jonathan Case signs all the books and maybe some other things? We’ll see.
Friday, 3-4 PM. Room: 7AB
Dark Horse Originals: Comics literature has become the voice and visual for our changing generation, and Dark Horse Originals has it all—from underwater mystery in Jonathan Case’s Dear Creature to the surrealist return of Dave McKean in The Dreams of Paul Nash. Join panelists Dave McKean (Cages), Fabio Moon & Gabriel Ba (Two Brothers), Peter Hogan (Resident Alien) and Jonathan Case (Dear Creature) as they discuss pushing the boundaries of what comics can accomplish in literature.
Saturday, 6-7 PM. Room: 9
Spotlight on Jonathan Case: The Triumphs and Trials of Creating and Publishing a Graphic Novel— Join Comic Con special guest and Eisner award-winning cartoonist Jonathan Case (The New Deal) for an in-depth look at creating and publishing your first graphic novel. Explore one book’s tumultuous journey from conception to delivery as Case offers anecdotes about the creation and promotion of his first book, Dear Creature (returning to print this fall as a deluxe hardcover from Dark Horse Comics). Q&A available— all ages and levels welcome!
Sunday, 2-3 PM. Room: 25ABC
Cover Story: The Art of the Cover: This panel will include Jonathan Case, Howard Chaykin, Paul Gulacy, Scott Shaw and Babs Tarr. Panel will be moderated by Mark Evanier.
Whew! I think that’s everything, minus the breather I always take at the Old Globe (they do such good work!). Sarah and I are going to see Sense and Sensibility to regain our equilibrium after the pop culture barrage! Should be fun.

See you at the thing!

The New Deal Before Tomorrowland

Funny how those two titles run together and still work.

I’m back from the depths. They said it couldn’t be done, but here I am, writing a blog post. I put a number of things on hiatus over the last year — public appearances, my web store, sleep. It all comes, as Christopher Robin says, of (doing) eating too much.

Being busy, for me, is not a life goal anymore. It used to be. Now it’s the old aunt who won’t leave unless you tell her, rudely. By way of catch up, here’s a short version of what I’ve been up to since my last blog post, lo these nine months ago:

  • May: Wife graduated from grad school (Go Sarah!) and had our second child, Otis (Go Sarah!)
  • May: We moved to a new home, two weeks after having the kid. What, past-self? How did that make sense?
  • May (notice a lot in May?) to August: Started and finished art + first draft of crazy, hybrid-enhanced-YA-novel Before Tomorrowland for Disney. Realized a dream of seeing my name next to Brad Bird’s on a thing.
  • July: Did illustrations for Aloof, the latest theo-lit book from Tony Kriz, out at better bookstores now (Just got back from Tony’s reading at Powell’s!)
  • Somewhere in there: Completed 50% of art on my next graphic novel, The New Deal (coming soon from Dark Horse). I ramble about it here, at CBR.
  • Somewhere else in there: Played stay-at-home-dad a couple days a week while Sarah got her counseling business up and running (Go Sarah!)
Before Tomorrowland Case

See? Real.

It doesn’t look like that much to me, seeing it written in a few sentences here, but boy. I’m just now learning to walk and talk again. In the next few weeks, I’ll dive into a bit more detail on these and other fun projects I have under way. For now, Happy Sunday. It was, by and large, a day of rest.

More please!

April 2nd is Batman ’66 Day

You know why it’s Batman ’66 Day tomorrow? Three things.

1. I return to the series with the first of 3 loaded new chapters, enhanced for digital. This one has it all, as Jeff Parker says:

For our latest story, artist Jonathan Case who kicked off the series, is returning for another big three-parter where The Joker and Catwoman bust out of confinement and turn Gotham City upside down.

It’s wild and crazy, and I’m doing the primary cover for this issue (#11) when it’s all collected for print. Here’s the original cover art (for sale, and still in support of trafficking survivors).

Joker and Catwoman

2. Tomorrow’s the release of the first snazzy hardcover collection of Batman ’66. It really turned out beautifully, and includes art from fab people like Colleen Coover, Joe Quinones, and more! Buy a signed copy here.

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3. The incomparable Jeff Parker will sign the above next to yours truly at Cosmic Monkey here in beautiful Portland, OR. 5PM-7PM, Wednesday April 2nd. Head over here for event details. Visiting comics stars Declan Shalvey and Jordie Bellaire will join us too and sign their hit book, Moon Knight.

And we may get burgers at Sassy Burger if I can convince them. Those are good burgers.

I’ll also bring some of these Julie Newmar Catwoman prints:

Catwoman

I rest my case. Batman ’66 Day.

Original Art for Survivors

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Today begins a new partnership with some people I really admire. Here’s the plan:

Every month, I’m donating a portion of my original art sales to SARC (The Sexual Assault Resource Center), my favorite local nonprofit serving survivors of sexual exploitation and violence. This month, I’ve already contributed $535 out of a possible $1,000. For December, I’ll do the same, up to $1,000. Whether it’s a couple pages of Batman, a color cover, whatever, the first $1,000 goes to SARC. Pretty simple. I’ll start with this model and see how it goes. My intent is to raise funds and awareness for their work throughout next year.

Browse my Original Art section here.

(UPDATE: In less than 24 hrs, I’ve met my goal of $1,000 raised for SARC. Thank you!!!)

SARC’s been around since 1977 (they’re featured in this year’s Willamette Week Give! Guide). Begun by two assault survivors, its staff works in the Portland metro area with a current caseload of almost 300 kids at risk for sex trafficking. It’s the same population the National Center for Missing and Exploited Children talks about when they quote stats like this:

Every year in America, there are between 100,000 and 300,000 children at risk of being sold on the sex-slave market. The average age of the victims is between 12 and 14.

Globally, human trafficking is the #2 most profitable illegal business; just ahead of weapons and just behind drugs. It’s really difficult to let that sink in. I’ll leave it to you to follow the sources below if you want detailed information; suffice to say, I can’t think of an issue that needs more support, and has less. Nationally, there are fewer than 100 beds in treatment facilities equipped to help heal and care for these kids. One of the social workers at SARC said that for every girl they take on, that girl can name six or seven others being actively prostituted. It’s staggering. Nonprofits like SARC are on the front lines providing care, services, and protection, but they’re hugely under-supported, especially from your average American guy (hello).

I’ve supported SARC financially for a few years through the Epik Project, and I want to do more. Because of who I am and what I do (an artsy guy with limited real-world skills), my options for helpful involvement are limited. This also just isn’t a topic that comes up naturally in any social setting. Believe me. I’ve tried. Taking stock of my options to do more, I landed on art sales. Original art income is totally unpredictable; I can’t depend on it to pay bills, but I can use it strategically. It’s a natural fit for donation.

If this all seems a little bizarre and non sequitur coming from a comics creator, have a look at this: other cartoonists like Lora Innes and Crystal Yates are already at work on this issue. Their organization, Comics Creators for Freedom, has already raised over $20,000 to assist survivors. They’ve set their latest fundraiser for December 2013- it’s inspiring stuff.

If you want more info on human trafficking, check these out:

Government info pages/resources

Nonprofits on the front lines (some local to me)

Donate directly to SARC here: